How to Become an Effective Hitter Essay -- Expository Process Essays

How to Become an Effective Hitter Babe Ruth is known for his 714 home runs. However, few people realize the other statistic he holds, which is having the most strikeouts of any player in the major league. This statistic helps to prove there is only a slight difference between a good hit and a strike. To become a good hitter in baseball, three fundamentals are necessary. First, the batter's stance in the batter's box, second, the batter's eye contact on the ball, and third, the batter's swing are the three fundamentals a good hitter will possess. First, a good stance in the batter's box is required to hit the ball successfully. The stance is not only important to the hitter, but it informs the defense of the location of the hit. Therefore, the batter wants to conceal as much information as possible from the opposition. A batter can conceal the ball's direction by having a proper stance. The proper stance is one where the batter's feet are comfortably apart about 12 to 24 inches. The front foot should not give any indication of pulling the ball down either base li...

Hedda Gabler Essay Essay

In Ibsen’s drama Hedda Gabler, Hedda was a wealthy woman with a great background, until she marries Mr. Tesman. When she is chained down to this man she starts to become unstable and reveals how truly devilish she can be. From manipulating her loved ones to down-right killing them. These incidents occur because of jealousy and boredom. Hedda’s first act of despicableness is first presented when she talks to her husband’s aunt. She mentions that the maid will be unsuitable because â€Å"She’s left her old hat behind her on the chair.†, when really, it was Miss Tesman’s hat. We later find out when she is speaking to Brack that she had known all along it was her hat and just wanted to insult her. This shows how bored Hedda is where she feels the need to come up with something like that. She is also unhappy with her marriage so she doesn’t want to get close to any of her husbands family. In act 4 of the play Hedda gives Lovborg a pistol so he can â€Å"die beautifully†. She does this because she is still somewhat attached to Lovborg and is jealous of him and Thea’s relationship that was forming. She even starts to go somewhat mad after Lovborg and Thea leave. The manuscript begins to get ripped apart by Hedda, as she throws it into the fire saying, â€Å"I’m burning your child Thea!† This shows that she has basically reached a breaking point and has officially gone off the end. Hedda is a very hard character to play. This is because she is very contradicting, as Ibsen states, â€Å"sympathetically unsympathetic†. You feel sympathy for Hedda because she seems to be broken. She has been socially trapped into marriage and baring a child. Although this does not justify her actions which still keeps you scornful towards her. All in all Hedda is a very indifferent woman with a independence that she will not be taken away from her. She manipulates and deceives people in order to get her way. Yet she was slowly killing herself by doing so. This may be why her character is so hard to play, she is in a way, a very non-relatable character.

Margaret Murray Washington, First Lady of Tuskegee

Margaret Murray Washington, First Lady of Tuskegee Margaret Murray Washington was an educator, administrator, reformer, and clubwoman who married Booker T. Washington and worked closely with him at Tuskegee and on educational projects. She was very well known in her own time, she was somewhat forgotten in later treatments of black history, perhaps because of her association with a more conservative approach to winning racial equality. Early Years Margaret Murray Washington was born in Macon, Mississippi on March 8 as Margaret James Murray.  According to the 1870 census, she was born in 1861; her tombstone gives 1865 as her birth year.  Her mother, Lucy Murray, was a former slave and a washerwoman, mother of four to nine children (sources, even those approved by Margaret Murray Washington in her lifetime, have different numbers).  Margaret stated later in life that her father, an Irishman whose name is not known, died when she was seven years old.  Margaret and her older sister and next younger brother are listed in that 1870 census as â€Å"mulatto† and the youngest child, a boy then four, as black.  Ã‚   Also according to later stories by Margaret, after her father’s death, she moved in with a brother and sister named Sanders, Quakers, who served as adoptive or foster parents to her. She still was close to her mother and siblings; she is listed in the 1880 census as living at home with her mother, along with her older sister and, now, two younger sisters.  Later, she said that she had nine siblings and that only the youngest, born about 1871, had children. Education The Sanders guided Margaret towards a career in teaching.  She, like many women of the time, began teaching in local schools without any formal training; after one year, in 1880, she decided to pursue such formal training anyway at Fisk Preparatory School in Nashville, Tennessee.  By that time she was 19 years old, if the census record is correct; she may have understated her age believing that the school preferred younger students.  She worked half time and took the training half time, graduating with honors in 1889.  W.E.B. Du Bois was a classmate and became a lifelong friend. Tuskegee Her performance at Fisk was enough to win her a job offer at a Texas college, but she took a teaching position at Tuskegee Institute in Alabama instead.  By the next year, 1890, she had become the lady principal at the school, responsible for female students.  She succeeded Anna Thankful Ballantine, who had been involved in hiring her. A predecessor in that job was Olivia Davidson Washington, second wife of Booker T. Washington, Tuskegee’s famous founder, who died in May of 1889, and was still held in high respect at the school. Booker T. Washington Within the year, the widowed Booker T. Washington, who had met Margaret Murray at her Fisk senior dinner, began courting her.  She was reluctant to marry him when he asked her to do so.  She did not get along with one of his brothers with whom he was especially close, and that brother’s wife who had been caring for Booker T. Washington’s children after he was widowed.  Washington’s daughter, Portia, was outright hostile towards anyone taking her mother’s place. With marriage, she would become also the stepmother of his three still-young children.  Eventually, she decided to accept his proposal, and they were married on October 10, 1892. Mrs. Washington’s Role At Tuskegee, Margaret Murray Washington not only served as Lady Principal, with charge over the female students – most of whom would become teachers and faculty, she also founded the Women’s Industries Division and herself taught domestic arts. As Lady Principal, she was part of the school’s executive board. She also served as acting head of the school during her husband’s frequent travels, especially after his fame spread after a speech at the Atlanta Exposition in 1895.  His fundraising and other activities kept him away from the school as much as six months out of the year. Women’s Organizations She supported the Tuskegee agenda, summarized in the motto â€Å"Lifting as We Climb,† of responsibility to work to improve not only one’s self but the whole race.  This commitment she also lived out in her involvement in black women’s organizations, and in frequent speaking engagements.  Invited by Josephine St. Pierre Ruffin, she helped form the National Federation of Afro-American Women in 1895, which merged the next year under her presidency with the Colored Women’s League, to form the National Association of Colored Women (NACW). â€Å"Lifting as We Climb† became the motto of the NACW. There, editing and publishing the journal for the organization, as well as serving as secretary of the executive board, she represented the conservative wing of the organization, focused on a more evolutionary change of African Americans to prepare for equality.  She was opposed by Ida B. Wells-Barnett, who favored a more activist stance, challenging racism more directly and with visible protest.  This reflected a division between the more cautious approach of her husband, Booker T. Washington, and the more radical position of W.E.B. Du Bois.  Margaret Murray Washington was president of the NACW for four years, beginning in 1912, as the organization increasingly moved towards the more political orientation of Wells-Barnett. Other Activism One of her other activities was organizing regular Saturday mother’s meetings at Tuskegee. Women of the town would come for socializing and an address, often by Mrs. Washington. The children who came with the mothers had their own activities in another room, so their mothers could focus on their meeting.  The group grew by 1904 to about 300 women. She often accompanied her husband on speaking trips, as the children grew old enough to be left in the care of others. Her task was often to address the wives of the men who attended her husband’s talks. In 1899, she accompanied her husband on a European trip. In 1904, Margaret Murray Washington’s niece and nephew came to live with the Washingtons at Tuskegee.  The nephew, Thomas J. Murray, worked at the bank associated with Tuskegee. The niece, much younger, took the name of Washington. Widowhood Years and Death In 1915, Booker T. Washington fell ill and his wife accompanied him back to Tuskegee where he died. He was buried next to his second wife on the campus at Tuskegee.  Margaret Murray Washington remained at Tuskegee, supporting the school and also continuing outside activities.  She denounced African Americans of the South who moved North during the Great Migration.  She was president from 1919 until 1925 of the Alabama Association of Women’s Clubs. She became involved in work to address issues of racism for women and children globally, founding and heading the International Council of Women of the Darker Races in 1921.  The organization, which was to promote â€Å"a larger appreciation of their history and accomplishment† in order to have â€Å"a greater degree of race pride for their own achievements and touch a greater themselves,† did not survive very long after Murray’s death. Still active at Tuskegee up until her death on June 4, 1925, Margaret Murray Washington was long considered the â€Å"first lady of Tuskegee.†Ã‚  She was buried next to her husband, as was his second wife.

Mudarse Conjugation in Spanish, Translation, and Examples

Mudarse Conjugation in Spanish, Translation, and Examples The reflexive verb mudarse means to move in the sense of changing ones residence, such as moving to a new house or apartment. For all other meanings of the verb to move, Spanish uses the verb mover. The non-reflexive verb mudar means to change, but it is not used very frequently. Mudarse is a much more commonly used verb. Therefore, this article contains mudarse conjugations in its reflexive form in the indicative mood (present, past, conditional, and future), the subjunctive mood (present and past), the imperative mood, and other verb forms. Mudarse Present Indicative The verb mudar is a regular -ar verb, so it follows the regular conjugation pattern. To conjugate mudarse, the reflexive pronoun should be included before each conjugated form. Yo me mudo I move Yo me mudo al dormitorio con mi compaà ±era. Tà º te mudas You move Tà º te mudas a otra ciudad por tu trabajo. Usted/à ©l/ella se muda You/he/she moves Ella se muda a un apartamento ms grande. Nosotros nos mudamos We move Nosotros nos mudamos a un condominio. Vosotros os mudis You move Vosotros os mudis a la casa nueva despuà ©s de la boda. Ustedes/ellos/ellas se mudan You/they move Ellos se mudan a otro paà ­s para asistir a la universidad. Mudarse Preterite Indicative The preterite tense is used to describe completed actions in the past. Yo me mudà © I moved Yo me mudà © al dormitorio con mi compaà ±era. Tà º te mudaste You moved Tà º te mudaste a otra ciudad por tu trabajo. Usted/à ©l/ella se mudà ³ You/he/she moved Ella se mudà ³ a un apartamento ms grande. Nosotros nos mudamos We moved Nosotros nos mudamos a un condominio. Vosotros os mudasteis You moved Vosotros os mudasteis a la casa nueva despuà ©s de la boda. Ustedes/ellos/ellas se mudaron You/they moved Ellos se mudaron a otro paà ­s para asistir a la universidad. Mudarse Imperfect Indicative The imperfect tense is used to describe ongoing or repeated actions in the past. It can be translated as was moving or used to move. Yo me mudaba I used to move Yo me mudaba al dormitorio con mi compaà ±era. Tà º te mudabas You used to move Tà º te mudabas a otra ciudad por tu trabajo. Usted/à ©l/ella se mudaba You/he/she used to move Ella se mudaba a un apartamento ms grande. Nosotros nos mudbamos We used to move Nosotros nos mudbamos a un condominio. Vosotros os mudabais You used to move Vosotros os mudabaisa la casa nueva despuà ©s de la boda. Ustedes/ellos/ellas se mudaban You/they used to move Ellos se mudaban a otro paà ­s para asistir a la universidad. Mudarse Future Indicative The future tense is conjugated with the infinitive form mudar and the future tense endings (à ©, s, , emos, à ©is, n). Yo me mudarà © I will move Yo me mudarà ©al dormitorio con mi compaà ±era. Tà º te mudars You will move Tà º te mudars a otra ciudad por tu trabajo. Usted/à ©l/ella se mudar You/he/she will move Ella se mudar a un apartamento ms grande. Nosotros nos mudaremos We will move Nosotros nos mudaremosa un condominio. Vosotros os mudarà ©is You will move Vosotros os mudarà ©isa la casa nueva despuà ©s de la boda. Ustedes/ellos/ellas se mudarn You/they will move Ellos se mudarn a otro paà ­s para asistir a la universidad. Mudarse Periphrastic  Future Indicative   When conjugating the periphrastic future, remember to place the reflexive pronoun before the conjugated verb ir (to go). Yo me voy a mudar I am going to move Yo me voya mudar al dormitorio con mi compaà ±era. Tà º te vasa mudar You aregoing to move Tà º te vasa mudar a otra ciudad por tu trabajo. Usted/à ©l/ella se vaa mudar You/he/she isgoing to move Ella se vaa mudar a un apartamento ms grande. Nosotros nos vamosa mudar We aregoing to move Nosotros nos vamosa mudar a un condominio. Vosotros os vaisa mudar You aregoing to move Vosotros os vaisa mudar a la casa nueva despuà ©s de la boda. Ustedes/ellos/ellas se vana mudar You/they aregoing to move Ellos se vana mudar a otro paà ­s para asistir a la universidad. Mudarse Present Progressive/Gerund Form The gerund or present participle can be used as an adverb or to form progressive tenses like the present progressive. Progressive tenses often use the auxiliary verb estar. There are two options for placing the reflexive pronoun in the present progressive tense. It can be placed before the conjugated verb estar, or attached to the end of the present participle. Present Progressive ofMudarse se est mudando / est mudndose Is moving Ella se est mudando a un apartamento ms grande. Mudarse Past Participle The past participle is often used in perfect tenses like the present perfect. The present perfect uses the auxiliary verb haber. In this case, the reflexive pronoun must be placed before the conjugated verb haber. Present Perfect of Mudarse se ha mudado Has moved Ella se ha mudado a un apartamento ms grande. Mudarse Conditional Indicative The conditional tense can used to talk about possibilities. It is conjugated using the infinitive form and the conditional endings. Yo me mudarà ­a I would move Yo me mudarà ­aal dormitorio con mi compaà ±era si hubiera espacio. Tà º te mudarà ­as You would move Tà º te mudarà ­as a otra ciudad por tu trabajo si te dieran la promocià ³n. Usted/à ©l/ella se mudarà ­a You/he/she would move Ella se mudarà ­a a un apartamento ms grande si lo pudiera pagar. Nosotros nos mudarà ­amos We would move Nosotros nos mudarà ­amosa un condominio, pero no tenemos suficiente dinero. Vosotros os mudarà ­ais You would move Vosotros os mudarà ­aisa la casa nueva despuà ©s de la boda, pero no estar lista. Ustedes/ellos/ellas se mudarà ­an You/they would move Ellos se mudarà ­an a otro paà ­s para asistir a la universidad si les dieran la beca. Mudarse Present Subjunctive The present subjunctive of -ar verbs is formed with the endings e, es, e, emos, à ©is, en. Que yo me mude That I move La directora pide que yo memudeal dormitorio con mi compaà ±era. Que tà º te mudes That you move El jefe espera que tà º temudes a otra ciudad por tu trabajo. Que usted/à ©l/ella semude That you/he/she move La familia quiere que ella semude a un apartamento ms grande. Que nosotros nos mudemos That we move Carlos quiere que nosotros nos mudemos a un condominio. Que vosotros os mudà ©is That you move El abuelo recomienda que vosotros os mudà ©is a la casa nueva despuà ©s de la boda. Que ustedes/ellos/ellas semuden That you/they move La profesora sugiere que ellos semuden a otro paà ­s para asistir a la universidad. Mudarse Imperfect Subjunctive The imperfect subjunctive can be conjugated in two different ways. Option 1 Que yo me mudara That I moved La directora pedà ­a que yo memudaraal dormitorio con mi compaà ±era. Que tà º te mudaras That you moved El jefe esperaba que tà º temudaras a otra ciudad por tu trabajo. Que usted/à ©l/ella semudara That you/he/she moved La familia querà ­a que ella semudara a un apartamento ms grande. Que nosotros nos mudramos That we moved Carlos querà ­a que nosotros nos mudramosa un condominio. Que vosotros os mudarais That you moved El abuelo recomendaba que vosotros os mudarais a la casa nueva despuà ©s de la boda. Que ustedes/ellos/ellas semudaran That you/they moved La profesora sugerà ­a que ellos semudaran a otro paà ­s para asistir a la universidad. Option 2 Que yo me mudase That I moved La directora pedà ­a que yo memudase al dormitorio con mi compaà ±era. Que tà º te mudases That you moved El jefe esperaba que tà º temudases a otra ciudad por tu trabajo. Que usted/à ©l/ella semudase That you/he/she moved La familia querà ­a que ella semudase a un apartamento ms grande. Que nosotros nos mudsemos That we moved Carlos querà ­a que nosotros nos mudsemosa un condominio. Que vosotros os mudaseis That you moved El abuelo recomendaba que vosotros os mudaseis a la casa nueva despuà ©s de la boda. Que ustedes/ellos/ellas semudasen That you/they moved La profesora sugerà ­a que ellos semudasen a otro paà ­s para asistir a la universidad. Mudarse Imperative To give orders or commands you need the imperative mood. Notice that in positive commands, the reflexive pronoun is placed after the verb, while in negative commands, the reflexive pronoun is placed before the verb. Positive Commands Tà º mà ºdate Move!  ¡Mà ºdate a otra ciudad por tu trabajo! Usted mà ºdese Move!  ¡Mà ºdese a un apartamento ms grande! Nosotros mudà ©monos Let's move!  ¡Mudà ©monos a un condominio! Vosotros mudaos Move!  ¡Mudaos a la casa nueva despuà ©s de la boda! Ustedes mà ºdense Move!  ¡Mà ºdense a otro paà ­s para asistir a la universidad! Negative Commands Tà º no te mudes Don't move!  ¡No te mudes a otra ciudad por tu trabajo! Usted no se mude Don't move!  ¡No se mude a un apartamento ms grande! Nosotros no nos mudemos Let's not move!  ¡No nos mudemos a un condominio! Vosotros no os mudis Don't move!  ¡No os mudis a la casa nueva despuà ©s de la boda! Ustedes no se muden Don't move!  ¡No se muden a otro paà ­s para asistir a la universidad!

buy custom Approaches to Public Administration essay

buy custom Approaches to Public Administration essay Competing Values and Three Approaches to Public Administration Background Radio Television Hong Kong (RTHK) has been comprehensively discussed since the 1980s when the industry was not exploited. RTHK was subsequently transformed from a government department to a public broadcaster with recordings of progress and development. The positioning of Hong Kong as a regional broadcasting hub has been characterized by a series of innovations, programme choice, diversity and competition. This has enhanced Hong Kongs place as not only a centre for information but also as a distinctive broadcasting powerhouse. The broadcasting sector in Hong Kong targets the audio and visual market. Commercial broadcasters are provided with licenses which enable them to air a range of educative and entertaining programmes. The RTHK has over years held talks and conferences with the government with the aim to discuss the future and development of RTHK. Development The broadcasting industry review committee was a government department until 1986 when it was leased as a private company. The Beijing government was however opposed the move terming it as anti-government. After rows over the ownership and status, RTHK was finally allowed to legally restructure and act in the given capacity. Analysis The broadcasting environment in Hong Kong, like elsewhere, has undergone phenomenal changes in recent years. Some of these changes have presented new challenges and caused an impact on the development of Public Service Broadcasting. There are three approaches to public administration. These are the managerial approach, political and the legal approach. The managerial approach The managerial approach is also known as the functional approach. This perspective focuses on the functions of management that steer an organization towards its aims and goals. The functional approach consists of six key funtions: planning, organizing, directing, controlling, budgeting and personnel management. The case of Hong Kong and the broadcasting industry was comprehensively reviewed in the year 2006 with a management team put in place to discuss financial and corporate structures. The Hong Kong milieu is unique in both political and socio-economic environment. A case in point is the transition from British colonial rule to being transformed into a Special Administrative Region of the People's Republic of China. The majority Chinese population and the executive-led government have driven Hong Kong to the necessity of creating a Public service broadcasting that meets all the needs of the citizens of Hong Kong. The National Programming Radio (NPR) sources its funds from government grants, member stations, contributions and sponsorship and income from investment projects. The National Programming Radio (NPR) was established in 1992 with the major aim to establish fund initiatives that would shield the sector from difficult economic times. In addition, a code of ethics was established to safeguard journalism independence and the roles of programming staff and journalists in general. The political approach The Broadcasting Council consists of elected members from various sectors and political spheres to aid in independent programme monitoring. The legislature; a key component in law-making ensures adherence to the stipulated rules and regulations. For maximum accountability, political parties and trade unions are also involved. The role of the political approach is to advise the public service broadcaster on issues concerning programming and monitors its adherence to programming principles. In Hong Kong, it is the role of the Administrative Council to oversee the finance of the public service broadcaster. The Administrative Council is tasked with the preparation of the budget and also monitors the management and operatioon of the concerned broadcasters. The council serves as the management committee of the public service broadcaster. Most of the members of the council are appointed by the Broadcasting Council of Hong Kong. The committee comprises of elected members from the serving parliament or federal legislature, trade unions and political parties to ensure transparency and accountability. Furthermore, it is the role of the council to advise the public service broadcaster on programming-related issues and also monitors the adherence to programming principles. Legal approach The legal approach also known as the juridical approach studies the concept of public administration from an official and legal perspective with more interest in the structures provided for by the constitution. In this approach, public administration is interpreted in the scope of legal terms. The implementation of the laws of the state is a vital component in the ruling of subjects, usually the citizens. The laws of Hong Kong do not objectively define the term public service broadcasting although there is a statement on the provision of television programmes by the Government. As revealed by the panel established to probe the broadcasting issue established that the Public Service Board is an imperative mechanism that when properly implemented would ensure that the civil society is duly strengthened. Conclusion The development of a public service model in Hong Kong is not a state of apathy but rather there is light at the end of the tunnel. With the establishment of the broadcasting panel, continuous follow-up of the development of public service broadcasting will be in process. The Government should ensure that public involvement is accorded with the priority the process duly deserves. Public administration as noted should involve all stakeholders in the processes of policy formulation and implementation. Buy custom Approaches to Public Administration essay

Cannery Row by John Steinbeck Essay Example | Topics and Well Written Essays - 1000 words

Cannery Row by John Steinbeck - Essay Example The story is about five characters living together along the street, during one of the hardest times in history; they are forced to battle out their financial and economical woes due to the depression and try to, through different plots, live together and survive in their own ways. In this way, the story has been broadly described as a tide pool because the characters are like a number of different kinds of fish living together in an aquarium. John Steinbeck writes, â€Å"Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses.† (Steinbeck, John) The story is beautiful, and both tragic and mysterious and the way it has been portrayed. It is easy for a reader to look at the messed up lives of the people in the story and feel a sense of humour at the same time while trying to connect with them as fish belonging to a certain wing of a tide pool or an aquarium. The main attempt of this story, according to the author, has been to capture the essence of the Cannery district in Monterey Row in the city of California. The main plot revolves around how Mack and his boys try and get hold of a rundown fishmeal shack and try and convert it into a habitual place to live in. They have feelings for their friends and family and thus want to throw a party for Doc, their friend and make him feel better. The reference of a tide pool has been provided as the story takes a slight turn in the first few chapters and the party leads to a mess in the Doc’s house. This causes a certain amount of trouble and thus leads to ill will and bad luck falling on all the people

Insurance And Joint Law Commission Proposals Essay

Insurance And Joint Law Commission Proposals - Essay Example In order to uphold such contracts, insurance is guided by Insurance Contract Law that defines the relationship between an insured and insurer. Insurance contract law in the United Kingdom has for a long time been considered outdated (Netherway, 2012). For instance, the Marine Insurance Act (MIA) was created and passed in 1906 and has not been reviewed. Nevertheless, there are major developments in motor and aviation insurances, business globalization, development of the property, and the recent natural disasters have demanded serious and extensive reforms, especially within the insurance contract law. In order to appraise the Joint Law Commission proposals for the reform of the law relating to business insurance, considering further the case for differential treatment of Micro-businesses, the following discussion demonstrates solid understanding of the theory and practice of insurance. In addition, the discussion demonstrates sound understanding of key issues pertaining to the law of the insurance. Lastly, the paper provides a critical appraisal of Joint Law Commission proposals before winding up with a summary of the main points. Insurance is a contract where risk financing is attainable through pooling of risks. Insurance is a form of risk management practices within firms, entities, and amongst various individuals (Lawcommission.justice.gov.uk, 2012). Insurance services, though auxiliary, are aimed at reducing the adverse financial impact that firms, entities, and individuals meet in the event of an occurrence of risks (Smith, 2012). Therefore, insurance within the global arena is a vital element especially with respect to financial planning. UK insurance law that defines and regulates contracts between insured and insurers made several proposals (Hamilton, 1995).